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								Posted by Unknown
								Published on Tuesday, September 24, 2013
Singer Benny Dayal keeping musician Greg Howe company on stage. Photo: Special Arrangement  
 It's
 Wednesday evening and the city has a date  scheduled with Greg Howe. 
Considering his credentials, at least half the  city should've poured 
into the Museum Theatre. But there are barely any  people. Franks Got 
The Funk and Borrowed Halos open for Greg Howe; they  are competing for 
the finals of the Underground Band Hunt. Perhaps  people will start 
arriving soon. Rows and rows of empty chairs and a  bunch of bored 
old-men — the sight is unbearable.
It's
 Wednesday evening and the city has a date  scheduled with Greg Howe. 
Considering his credentials, at least half the  city should've poured 
into the Museum Theatre. But there are barely any  people. Franks Got 
The Funk and Borrowed Halos open for Greg Howe; they  are competing for 
the finals of the Underground Band Hunt. Perhaps  people will start 
arriving soon. Rows and rows of empty chairs and a  bunch of bored 
old-men — the sight is unbearable.
No buzz
Franks
  Got the Funk and Borrowed Halos try their best to rock the place, but 
 no one is moved. There are a couple of teenagers and a bunch of  
foreigners. The same bored expression is on everyone's face. The place  
is dead. One of the world's greatest shredders, Howe's played with  
NSYNC, Justin Timberlake and Michael Jackson. But he's not played with  
any rock bands. Whatever could this hype be all about?
Most
  people who seem to have bothered with a concert in the middle of the  
week look like they're here only because they had nothing else to do and
  wanted to experiment experimental jazz-fusion. Shredder doing  
jazz-fusion, interesting...
Nevertheless, the 
evening  seemed never ending. Time had suddenly decided to stop. The 
sound  setting took hours. The theatre seemed to have been gassed with a
  strange poisonous concoction of boredom and absolute darkness. The 
only  place where there was any bit of light was a soft yellow spot on 
the  stage. All one could see was shadows move. Sound setting. 
Finally
  Saroop Oommen, of Unwind Centre, decided to come on stage. After a 
long  lecture on HMI guitars, one of the sponsors, Saroop finally 
blessed the  audience with Greg. On stage is a tall thin Afro-American 
guy with two  skin-heads and an Italian drummer. Neither Greg nor his 
band-mates look  like they can do much. Saroop Oommen, of Unwind Centre,
 introduces the  band. There is a slight whimper, it was someone 
cheering and Greg hits  the notes. Everyone's hit unawares. For a 
minute, dead faces were  replaced by wide-open eyes and mouths gaping 
for air.
There  are people other than musicians 
walking on the stage. Everyone's so  agape that no one seems to notice 
them. The sound of the guitar is  deafening. A million notes are flying 
out of Greg's guitar at the speed  of light tearing Museum Theatre 
apart. 
Greg is  performing for the first time in
 India, and he's living up to his  reputation of being one of the best 
shredders in the world. His  self-titled album ranked the 10th greatest 
shred albums of all time by  Guitar World magazine. Greg is Trey 
Anastasio, Hendrix, McLaughin, and  Malamsteen all rolled into one.
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